Fleur Churchill

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"THE WORK IS THE LIFE, THE LIFE IS THE WORK" BARRY PETERS
I photographed for fun forever, and very seriously for 5 years before I dared believe myself a "photographer".  Now with a further 5 years studying, developing and working professionally including two fine art collections and self published books, a decade later, I feel that artist-photographer more accurately reflects what I do.  I'm very grateful to my teachers, mentors and sources of inspiration, I would be nothing without them. I take it as a I see it - a mix of a desire for magical moments captured with a cinematic quality, greatly influenced by a sense of spirituality in nature, and a decent dash of rock and roll.  More below...

A Reconnection

I found myself somewhere behind a camera lens, a place that defined a new way of living. But as it turned out, the circular nature of life simply revealed itself.  It was a reconnection.  During a period of profound grief in 2010, photographing sunsets was part of my healing. Along the way I found that photography is part of my DNA in a wide sense, eventually connecting that my grandfather was a photographer processing his own images in a dark room back in the 50s and 60s. And, that as a child I always had cheap little cameras at school and around family and friends. I'm told we both drove people mad taking their pictures all the time.  Finally I knew "this is the way"! My grandad was incredibly accomplished, and I grew up around stunning portraiture, dramatic wildlife images, and reportage photography from his time in Kenya and travels around the World.  Beautifully taken and presented, several still hang in my mum's house including these two above - a lion he must have been scarily close to, and a proud member of the Kikuyu tribe. Incredibly - the brand he bears is almost exactly the same as the one my Lusitano mare carries.  I have an enormous box of slides to go through and process one day, and I believe there is some very important work hidden away in his archive as it includes many images around the very difficult time of the Mau-Mau uprising and a time of huge change across the whole World as well of course as many family photos that need to see light of day.

Walking the Line

After discovering a new way of seeing the World during that period of grief, I learned to look up, to live in the moment, and to be grateful for the World around us.  I photographed sunsets obsessively and developed my personal style and quest for meaning during this 5 year process.  I took thousands of pictures, entered endless competitions and did 52 challenges constantly. I found the sweet spot on the lenses I use, and then threw most of the images away. This cute little image was taken on the cliffs on Tintagel, on a teeny pocket camera, but was a moment of clarity when I found a way forward through unbearable loss, the lone seagull still soothes my soul even today.  And I still today believe in some way my brother handed me a beacon - a baton of creativity.  During this time I published the fine art collection in a book - "When the Sun Went Down at Widemouth" documenting the very best sundowns in this stunning location with a clear line of sight of the sun all year round.  I learned to seek the mystical in the moment as a way of understanding love,  grief, and beyond. The book featured giant guitars in the sky, bubbling cauldrons of colour on Halloween, the night the sky went blue blue electric blue when Bowie passed and many many more.  The very best sunsets from this time are still available in prints and gifts.

Inspirations

  A lifetime around musicians, creatives and artists now makes more sense to me as I reflect on life and photography.  I believe I was gently guided home, and this blessing of the people around me gave me a vivid palette of reference that underpins everything I do.   My brother was a musician, an artist, a storyteller, a creative in the true sense of the word.  He had many struggles in achieving what he wanted with his creativity, and at the time I failed to understand, he was so gifted, the struggle seemed strange.  Now having completed the series "the Iberian Horse in the English Landscape" where I travelled the length and breadth of the UK, I understand what it is to have a concept with artistic merit, with it's own voice,  and to try and bring that to fruition.  The constant battle of whether it's good enough, to believe in the concept, and still find the magic in the process amd the images themselves can be impossible to manage and creates huge vulnerability.  At the end of this series,  I was exhausted and emotional beyond measure (visual of this below!), and had to take a break from the work being my life for a while, but my passion for photography thankfully reignited.   I like to think there's a few pixels of my brother's creativity in every picture. I'm so grateful for this journey, which as I see as a gift from him. 

Wider Support and Inspiration
Along this journey of a decade, a vast number of people have inspired and encouraged in me,  often believing in me when I had lost all faith or belief in my ability or direction.  In particular I must thank Janine Falle, a gifted artist with a camera who travelled all over the world photographing luxurious weddings.   Janine's wisdom about the industry and her personal and business mentorship has been utterly invaluable.  Alison and David Zuend from  The Horse Place in  Devon, my great inspirational friends who have allowed me to photograph them, and their students over many years and as such have been integral to my development as they provided so much opportunity to learn and develop my skills.  Today, it is my absolute honour to be able to photograph them with a clearer eye, where I can show off their incredible skills as horse people.  I was also helped greatly by two old friends, both extremely talented professional photographers, both of whom also worked in many diverse settings around the world, and at the very highest levels - Rob Ditcher and Paul Sullivan.  They were incredibly patient with my endless quest for learning.  And my very good friend Claire Spelling who has been such a support and inspiration, Claire is currently taking her masters in photography, after taking a degree as a mature student and achieving a first - I can't wait to see where she takes her exceptional work. It has been amazing to have a peer to learn and grow with over many years. 
 

In terms of photographic inspiration, I greatly admire the work and technicality of Ansell Adams.  Annie Leibovitz' portraiture is to my eye the benchmark as is that of Soren Solkae and of course Mick Rock, Terry O'Neill and Robert Mapplethorpe's images of rock and rollers are right up my street! I  I also love Peter Lindbergh who brought such cinematic style to the iconic Vogue magazine. I studied the work and the craft of many people trying to understand the look I wanted to develop. Today I just focus on seeking magic moments and recreating the look and feel that over time has become my signature style, I'm not really even sure how I got there, or get there most days, but I'm always striving to get better year on year. xxx

On the final day of the Iberian Horse series Dec 2018 utterly exhausted with Lusitano Eclipse Da Broa who I photographed at the very top of Beachy Head with international GP rider Paulo Santos.

I needed an angel on my shoulder in my three visits to the North for the Iberian series - each time I failed to get a horse here - one day!

But I did make it all the way to Hadrian's Wall! Rock and roll

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